Once Upon A Time in Nazi Occupied Tunisia For Free

Theatre includes: King John (RSC); Boudica (Shakespeare’s Globe); Blue Door (Theatre Royal Bath); Wendy and Peter Pan (Royal Lyceum Theatre, Edinburgh); Toast (Snapdragon Productions/ Park Theatre/ UK Tour/ New York – nominated for UK Theatre Awards’ Best Touring Production 2016); Teddy (Snapdragon Productions - Best New Musical at the 2016 Off West End Awards); Rust (Bush Theatre); Thor and Loki (Edinburgh Festival/ Hightide); Frankenstein (Watermill Theatre/ Wilton’s Music Hall); Terrorism (Bush Theatre); Beauty and the Beast (Watford Palace Theatre); When We Were Women (Orange Tree Theatre); Thark (Park Theatre); Generous; The Drawer Boy; A Life (Finborough Theatre); For All That (Centerstage Theater, Seattle).

Eleanor trained at Mountview Academy and the National Theatre Studio. In 2009 she co-founded Snapdragon Productions to bring neglected and unknown works to new audiences.

Theatre includes: King John (RSC); The Panopticon (National Theatre Scotland); Overflow; Strange Fruit; Rust (Bush Theatre); Heartbreakin’ (WLB Esslingen, Germany); Buggy Baby (The Yard Theatre); Yellowman (Young Vic); The Half God Of Rainfall (Kiln Theatre/ Birmingham Rep/ Fuel Theatre); Urinetown (Central School of Speech and Drama); Wendy and Peter Pan (Royal Lyceum, Edinburgh); Kes; Random (Leeds Playhouse); Utility; Twelfth Night (Orange Tree Theatre); Fidelio (London Philharmonic Orchestra); Enron; Our Town (The Egg, Theatre Royal Bath); Life Raft; Medusa; The Light Burns Blue; Under A Cardboard Sea (Bristol Old Vic); Hamlet; All’s Well That Ends Well (Tobacco Factory).

Max Johns trained in theatre design at Bristol Old Vic Theatre School and was the recipient of a BBC Performing Arts Fellowship in 2015.

Theatre includes: Klippies (Young Vic); Overflow (Bush Theatre); Othello (Cambridge Arts Theatre); Dick Whittington (Theatre Royal Stratford East); [Blank] (Donmar Warehouse); Actually (Trafalgar Studios); Rich Kids: A History of Shopping Malls in Tehran (HOME/Traverse Theatre); Rust (Bush Theatre/HighTide); Rejoicing At Her Wondrous Vulva The Young Woman Applauded Herself (Oval House); Out Of Water; Cougar (Orange Tree Theatre); Buggy Baby (Long Listed for Creative Innovation in Lighting Award at Theatre & Technology Awards); The Crucible; Sex Sex Men Men; A New And Better You (The Yard); Punk Rock; Pomona (Mountview); The Borrowers (Tobacco Factory Theatres); Victoria’s Knickers; Consensual (National Youth Theatre/Soho Theatre); Medusa; Much Ado About Nothing; Love And Information (Nuffield Southampton Theatres); Fabric (Soho Theatre); Homos, Or Everyone In America (Finborough Theatre); Drip Feed (Soho Theatre/Assembly George Square); Songlines (HighTide/ DugOut Theatre/Pleasance Courtyard); The Marbleous Route Home (Young Vic); Reactor (ArtsEd); FCUK'D (Longlisted for Best Lighting Designer, Off West End Awards); Devil With The Blue Dress (The Bunker); And The Rest Of Me Floats (Bush Theatre/Birmingham Rep).

Jess is a graduate of Guildhall School of Music and Drama and the 2018 Laboratory Associate Lighting Designer at Nuffield Southampton Theatres. She received the Association of Lighting Designer’s Francis Reid Award in 2017.

David trained in sound design at the Central School of Speech and Drama.

Theatre includes: King John (RSC and RSC Cinema Broadcast); Ghost Quartet (Boulevard Theatre); Macbeth; A Midsummer Night’s Dream (Wilton’s Music Hall/ Watermill Theatre/ UK Tour); Pope (Royal and Derngate); Rust (Bush Theatre/ Assembly Edinburgh); Blue Door (Theatre Royal Bath); Cat In the Hat (Leicester Curve/ UK Tour); Fantasia (Vaults London); Thor and Loki (Edinburgh Festival/ HighTide); Tartuffe (Theatre Royal Haymarket); Twelfth Night; Frankenstein (Wilton’s Music Hall); The Selfish Giant (Vaudeville Theatre/ Northampton Theatre); George's Marvelous Medicine (Leicester Curve/ UK Tour 2018); Burrowers (Watermill Theatre); Boudica (Shakespeare’s Globe); Gabriel (UK Tour); Twelfth Night; Romeo & Juliet (Watermill Theatre/ European Tour); These Trees Are Made Of Blood; Waiting for Godot; Eldorado (Arcola Theatre); Terrorism (Bush Theatre); Benighted; Dogs Of War (Old Red Lion); Stalking Bogeyman; Luce (Southwark Playhouse); Queens of Syria (Young Vic/UK Tour); Alice in Wonderland; Secret Adversary (UK Tour); Tuxedo Junction (Watermill Theatre); The First Man (Jermyn Street Theatre); Our Friend the Enemy (UK and NYC Tour); Pocket Merchant of Venice; Pocket The Comedy of Errors; Pocket Henry V (Propeller Theatre Company); When We Were Woman (Orange Tree Theatre); Where You Live (Finborough Theatre); Old Vic New Voices Writing Festival Sound Designer (Old Vic); Julius Caesar (North Wall Theatre); Generation of Z Apocalypse (White Chapel Site Specific); Contact.com (Park 200 Theatre); Basement Grotto (Shoreditch Town Hall).

David is an associate sound designer at the Watermill Theatre in Newbury. He won the Technical Theatre Award for Sound in 2015.

For the Almeida: The Tragedy of King Richard the Second, The Merchant of Venice; 1984 (Headlong/ West End).

Ginny has been in-house casting director for the Royal Shakespeare Company, Chichester Festival Theatre, Rose Theatre Kingston, English Touring Theatre and Soho Theatre. She collaborates regularly with Theatre Royal Bath on their main house, touring and West End productions, and is the casting director for the Ustinov Theatre, Bath. She has worked on many shows for the West End and No. 1 touring circuit as well as for the Arcola, Birmingham Rep, Bolton Octagon, Bristol Old Vic, Theatr Clwyd, Frantic Assembly, Greenwich Theatre, Hampstead Theatre, Headlong, HOME Manchester, Jermyn Street Theatre, Leicester Curve, Liverpool Everyman and Playhouse, Lyric Theatre Belfast, Menier Chocolate Factory, Norfolk & Norwich Festival, Northampton Royal & Derngate, Oxford Playhouse, Plymouth Theatre Royal and Drum, Regent's Park Open Air Theatre, Shakespeare’s Globe, Shared Experience, Sheffield Crucible, Southwark Playhouse, Tobacco Factory Theatres, West Yorkshire Playhouse, Wilton’s Music Hall and Young Vic. She has also worked on many television, film and radio productions.

Sepy Baghaei trained at the Royal Central School of Speech and Drama and the Australian Academy of Dramatic Art. She is Associate Director at The Space Theatre and Co-Vice Chair of MENA Arts UK.

Theatre credits as director include: Hello Georgie, Goodbye Best; Little Women; Mycorrhiza; CITIZEN; Wilde Tales (The Space Theatre); Give Me The Sun; The Wolf Inside Me (Blue Elephant Theatre); Re: Memory (Suitcase Civilians / UK & Australia tour); Body Language (Brave New Word Theatre); Grimm Tales (City of Sydney Library / Sydney Fringe); Something To Be Done (Short+Sweet Sydney).

Theatre credits as assistant director include: Welcome To Iran (BBC Radio 3 / Theatre Royal Stratford East / National Theatre); Reasons To Stay Alive (Sheffield Theatres / English Touring Theatre); Othello (English Touring Theatre); As You Like It (Regent’s Park Open Air Theatre).

Sepy was awarded Best Production for Something To Be Done at the Short+Sweet Sydney short play festival, where she was also nominated for the Best New Talent award. She is a recipient of the Ian Potter Cultural Trust Award and the Guildford Academics Associates Scholarship, and was longlisted for the Sir Peter Hall Director Award in 2019. Sepy has also directed workshops and readings of numerous new plays, including work with the Royal Shakespeare Company, English Touring Theatre and Tamasha Theatre Company.

Theatre includes: The Boy Friend (Menier Chocolate Factory); Vulcan 7 (Theatre Royal Bath); Twelfth Night (RSC); Bits Of Me Are Falling Apart (Soho Theatre); Neville’s Island (Duke of York’s Theatre); The Rocky Horror Show (ATG).

Television includes: The Pact; Out of Her Mind; Save Me Too; EastEnders; Summer of Rockets; Bancroft; Cheat; Retribution; Strike Back; Urban Myths; Upstart Crow; Save Me; Genius; One of Us; War and Peace; Miss Austen Regrets; Chernobyl; Prey; The Bleak Old Shop of Stuff; Ronja, The Robber’s Daughter; Holby City; Jonathan Creek; If You See God, Tell Him; Absolutely Fabulous; Blackadder; Filthy, Rich & Catflap; The Dangerous Brothers On Saturday Live; Teenage Kicks; Happy Families; Bottom; The Young Ones.

Film includes: The Trick; Star Wars: The Last Jedi; Eat The Rich; The Rizen; Interlude In Prague; Blood; Guest House Paradiso; The Pope Must Die; Supergrass; Terkel In Trouble.

Theatre includes: Living Newspaper Edition 5; A History of Water In The Middle East (Royal Court); Signal Fires (Fuel Theatre); Leave A Message – Isolated But Open (Papatango); Karaokay (Bunker Theatre); Give A Man A Bible (Pint Sized/ Bunker Theatre); Bush Theatre Emerging Writers Showcase (Bush Theatre); Rest Upon The Wind (Matar Ventures).

Radio includes: The Old Man In The Moon; The Arabian Nights (Holy Mountian/BBC Radio 4); The Eustace Diamonds (Goldhawk Essential/BBC Radio 4).

Theatre includes: Equus (Theatre Royal Stratford East/ English Touring Theatre/ Trafalgar Studios); Returning To Haifa (Finborough Theatre); Goats (Royal Court); A View From The Bridge (Bolton Octagon); Spring Awakening; Road; Antony and Cleopatra; Electra; The Crucible; Three Sisters (ALRA).

Television includes: Carnival Row; Killing Eve; London Kills; Doctors; Emmerdale; Mount Pleasant.

Film includes: Instrument of War.

Ethan is a graduate of ALRA (Academy of Live and Recorded Arts).

Theatre includes: A Midsummer Night’s Dream (Regents Park Open Air Theatre); Ghosts (Royal & Derngate); Shakespeare in Love (Theatre Royal Bath, Eleanor Lloyd Productions); Imperium; The Hypocrite (RSC); Kenny Morgan (Arcola Theatre); Travesty (Fight in the Dog); Wolf Hall; Bring Up The Bodies (RSC/ Playful Productions); The Spring Tide (Old Red Lion).

TV includes: Harlots; The Bastard Executioner; Casualty; Lewis; Bouquet of Barbed Wire; Little Crackers – First Kiss.

Film includes: Death of a Farmer; City of Life.

Theatre includes: Leopoldstadt (Wyndham’s Theatre); Actually (Trafalgar Studios); Circle, Mirror, Transformation (HOME, Manchester); Ah, Wilderness! (Young Vic); Spur Of The Moment (Royal Court); Annie (Hammersmith Apollo); Romeo & Juliet (Bloomsbury Theatre); Les Misérables (Palace Theatre).

Film includes: The Souvenir Part II; Chicken; The Possibilities Are Endless; The Double; Submarine; Ballet Shoes; Second Nature; Z; The Others; Wondrous Oblivion; Tooth; The Keeper; I Could Never Be Your Woman; Girl’s Club (Aka True True Lie).

Television includes: Good Karma Hospital; Glue; Pramface; Coming Up: Spoof or Die; The Search; Sarah Jane Adventures: The Invasion of the Bane; Secret Life; Smack The Pony; Bed & Breakfast Star; Keen Eddie; Doctors; The Last Detective; Mysti; Golden Hour; My Life As A Popat; Murderland.

Radio includes: Dead in the Water (BBC Radio 4); The Meeting Point (BBC Belfast); Topic Chocolate Bars (BBC Radio/ Film 400); The Little Toe Radio (BBC 7).

Theatre includes: Private Peaceful (Nottingham Playhouse/ UK Tour); AAAAA (The Lion and Unicorn Theatre/Albany Theatre); I Don't Dance (So And So Arts Club); Horseshoes for Hand Grenades (East Riding Theatre); Bromley Bedlam Bethlehem (Old Red Lion Theatre/Voxie Productions); Me and My Left Ball (Tristan Bates Theatre).

Films include: The Batman; The Cost of Living; Cat Flap.

Television includes: Doctors.

Radio includes: A Kestral For A Knave (BBC Radio 4/Goldhawk Essential).

Short films include: Ryderz (Tiramisu Studio); Teenage Tycoon (NFTS); Things That Grow (View 35 Films); Stitched Up (Big Trouble Films); Seawolf (Never Enough Films); Another Hero (Independent).

Daniel was a member of the Nottingham TV Workshop, before training at The Royal Central School of Speech and Drama.